|
|
|
|
|
 |
 |
 |
 |
 |
JAGGED
|
 |
 |
|
|
Pressure
Fold
Halo
Slave
In A Dark Place
Haunted
Blind
Before You Hate It
Melt
Scanner
Jagged

|
Bonus Tracks
Fold - (alternative mix)
|
| Jagged (March
2006)
Gary Numan (Vocals, Keyboards, Guitar, Programming)
1 to 11,
Ade Fenton (Keyboards, Programming) 1, to 11,
Steve Harris (Guitar) 1, to 11,
Jerome Dillon (Drums) 3, 6,
Rob Holliday (Guitar, Bass) 3, 6,
Monti (Keyboards, Programming) 3, 6,
Richard Beasley (Drums) 2, 5, 10, 11,
Andy Gray (Keyboards, Programming) 11,
Martin McCarrick (Cello) 1,
11,
Kimberlee McCarrick (Violin) 1, 11,
All songs written by Gary Numan
Produced & Engineered by Gary Numan and Ade Fenton
Mixed by Gary Numan
Mastered by Nick Watson
Sanctuary Town House, London
Photographs by Steve Gullick
Jerome Dillon Drums Recorded BY
James OConnell
Monkeyden Studios
Silverlake
California
Published by Numan Music LTD
Managed by Tony Webb
Publicity Steve Malins @ Random PR
Special thanks to Doug Hart
Release Date: March 2006
Highest Chart Position: 59

|
CD
MORTALCD001
LP MORTALLP01
|

|
| Back cover |
|
|
| White vinyl
releas |
|
|
|
 |
|
|
 |
 |
 |
|
|
|
 |
 |
 |
 |
 |
ALBUM INFO
|
 |
 |
|
this item is released on March 21, 2006.
Jagged is Gary’s first studio album in over five years. Co-produced with underground electronic artist DJ Ade Fenton (best known for his Advanced Records label), Jagged is an aggressive, forward-looking album which takes the best elements of his previous work and gives them an anthemic, contemporary twist. Jagged is one of the darkest and most electronic albums of his career, re-wiring the apocalyptic synthesizer pop of Numan’s own “Down In The Park” into something equally unique and powerful. Like his best albums it gets to the essence of Numan’s appeal - vocals that are alienated yet strangely soulful; a desire to push technology as far as he can and atmospheric sounds lashed to power chords and dream-like melodies. Numan also mixes rock elements into the album through the massive anthemic choruses, especially on “Fold,” “Haunted,” and “In A Dark Place” - but they’re given a new potency through the siren-like wail of machines rather than guitars. Fans of Numan's more electronic-based songwriting will no doubt love the icy synthesizer hooks of standout tracks like “Pressure,” “Blind” and the experimentalism “Jagged” with the title track’s powerful synthesis of aggression and beauty conjured up out of machine-made noises and effects. At a time when nearly all of his contemporaries have either disappeared or compromised to the point where they've lost their identity, Numan has pulled off an album which is heavy and dark, yet it also contains some of his finest songwriting.
|
|
|
 |
 |
 |
|
 |
 |
 |
 |
 |
JAGGED PR
|
 |
 |
|
Gary Numan releases his first new studio album in just over five years on 13th March, 2006, on Mortal Records which is licensed to Cooking Vinyl. Co-produced with underground electronic artist Ade Fenton, Jagged is an aggressive, forward-looking album which takes the best elements of his previous work and gives them an anthemic, contemporary twist. Numan will be launching it with a one-off gig at The Forum on 18 March, followed by a full UK tour in April.
Unusually amongst his contemporaries Numan has come into his own in the 21st Century both as an artist and as an influence. In 2000, his Pure album was described as ‘the best music he’s made since his 1979/80 heyday’ by The Sunday Times, while Kerrang! enthused, 'if you like your melancholia dense and dynamic you won’t want Pure to end.'
Three years later he released Hybrid, an album of collaborations and re-worked version of classic tracks which included the Top 20 hit ‘Crazier’, featuring electronic punk Rico. According to Mojo, the album’s ‘sheer quality wins through . . . revealing the dark soul of a true pioneer’, while Time Out were not only ‘blown away’ by the revised versions but also noted the presence of ‘three tantalisingly good new songs’. At the time Numan was also ‘cool again’ thanks to Basement Jaxx’s sampling his songs on ‘Where’s Your Head At’ and the impact of Sugababes’s Number 1 single, ‘Freak Like Me’ which was based around his 1979 chart-topper, ‘Are ‘Friends’ Electric?’ Yet since then Numan’s cultural relevance has, if anything, grown stronger than ever before thanks to the likes of Goldfrapp, White Rose Movement, The Rapture, Jacques Lu Cont, The Faint, The Killers and The Bravery.
Meanwhile, Jagged is one of the darkest and most electronic albums of his career, re-wiring the apocalyptic synthesizer pop of Numan’s own ‘Down In The Park’ into something equally unique and powerful. Like his best albums it gets to the essence of Numan’s appeal - a vocal that is alienated yet strangely soulful; a desire to push technology as far as he can and atmospheric sounds lashed to power chords and dream-like melodies. Numan also mixes rock elements into the album through the massive choruses - especially on ‘Fold,’ 'Haunted', 'Blind' and ‘In A Dark Place’ - but they’re given a new potency through the siren-like wail of machines rather than guitars. And for the first time in 20 years, Numan has re-introduced live drums onto the new album, including two tracks ‘Haunted’ and ‘Halo’ played by Jerome Dillon (ex- Nine Inch Nails). Rob Holliday (Sulpher and the Prodigy's new live guitarist) and Monti (Sulpher, former Curve drummer) also guest on Jagged, along with dance producer Andy Gray and Martin McCarrick (ex-Siouxsie & The Banshees) on cello.
|
|
|
 |
 |
 |
|
|